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اعداد الأستوديو ..
الملحق ..
كتاب التصوير الفوتوغرافي
Setting up a studio
Portraiture does not necessarily require a specially equipped studio you can take good portraits virtually anywhere However , a well - planned studio will undoubtedly help you to achieve a con sistently high standard . Professional studios are , of course , expensive and therefore outside the scope of most amateurs . But although you may find worth renting one occasionally , you can build up a perfectly adequate small portrait studio at home by purchasing only a few basic necessities . Start by choosing a reasonably large room as a temporary " studio " - one where it is easy
Key
1 Spotlight
2 Multi - purpose light
3 Floodlight
4 Studio flash with umbrella reflector
5 Studio flash ( with synch to 4 )
6 Portable socket panel
7 Medium format camera
8 Studio tripod
9 Reflector board
10 Polystyrene board
11 Diffusion screen
12 Background papers and telescopic
stand
equipment , the room must finishing areas . equipment required for a professional portrait studio In order to get maximum use from all your be a good size - at least 20 × 20 ft ( 6 × 6 addition to the working area shown here , a professional studio would probably have a changing room , a darkroom , and administration and A professional studio V This shows the basic .
to clear an area in which to work . It should have at least one plain wall to use as a background or to bounce flash off . As a basic minimum , you will need to buy white background paper and a small stand , and two lamps . A diffused flood light and a concentrated spotlight will give you a choice of lighting effects for different portraits . And one or two reflectors will increase the flexibility and versatility of your set - ups . Your room must have drapes or shutters so that you can shut out daylight during tungsten shots to prevent the problems associated with changing color temperature .
A professional portrait studio should be a minimum of 20 ft ( 6 m ) long , so that you can take full - length portraits with a fairly long lens , and reasonably wide , to allow plenty of space for the lamps and screens . A studio 25 × 25 ft ( 8x8 m ) is ideal . It should have at least two plain walls - white if possible to use as backgrounds and for bouncing flash . The ceiling must be white so that you can bounce light off it , without it producing a cast on your color shots . It should also be at least twice the height of your model to allow you to use the lighting fully . Both walls and ceiling should be mat - glossy surfaces create unnecessary reflections or " hot spots " .
A stand with two or three rolls of background paper ready for use - white , black and a few colors - should be positioned on one wall facing the longer side of the room . A large collection of colors is unnecessary since you can use a colored gelatin in front of a lamp or flash head to change white background paper to the color you need . Although you can usually use a plain white wall quite adequately as a background for por traiture , a roll of background paper suspended from a stand has the important advantage that you can roll it right down to cover the floor as well as the wall . Modern telescopic poles are probably the best choice for a stand they are quite sturdy , you can dismantle them easily if necessary , and they fit any size of room . A professional studio should also contain at least one , but preferably two , folding reflector screens . One side should be
white and the other black - the black side is useful for blocking out unwanted reflections . A smaller white reflector on a lightweight stand can be very useful on occasions . Blocks of wood of various sizes will act both as supports and counterweights . Install plenty of sockets so that you can plug in several lamps in different parts of the room . A good extension lead and a multiple socket will also be useful . A professional studio should have a changing room with a table , mirror and lighting for the model or sitter to prepare for the session . And a small stock of make - up and accessories is also a good idea . The administrative area should have wall - mounted cup boards to store equipment and props , and an area for coping with paper e work . It is advisable to install some t shelving space for your cameras and t accessories , a compartmentalized tool O chest for smaller items , and a small refrigerator for color films .
Basic studio set - up
The minimum equipment that you will need for indoor studio - type portraiture consists of a tungsten spotlight and a tungsten floodlight , two rolls of background paper - one black and one white - plus a stand and a reflector screen .
الملحق ..
كتاب التصوير الفوتوغرافي
Setting up a studio
Portraiture does not necessarily require a specially equipped studio you can take good portraits virtually anywhere However , a well - planned studio will undoubtedly help you to achieve a con sistently high standard . Professional studios are , of course , expensive and therefore outside the scope of most amateurs . But although you may find worth renting one occasionally , you can build up a perfectly adequate small portrait studio at home by purchasing only a few basic necessities . Start by choosing a reasonably large room as a temporary " studio " - one where it is easy
Key
1 Spotlight
2 Multi - purpose light
3 Floodlight
4 Studio flash with umbrella reflector
5 Studio flash ( with synch to 4 )
6 Portable socket panel
7 Medium format camera
8 Studio tripod
9 Reflector board
10 Polystyrene board
11 Diffusion screen
12 Background papers and telescopic
stand
equipment , the room must finishing areas . equipment required for a professional portrait studio In order to get maximum use from all your be a good size - at least 20 × 20 ft ( 6 × 6 addition to the working area shown here , a professional studio would probably have a changing room , a darkroom , and administration and A professional studio V This shows the basic .
to clear an area in which to work . It should have at least one plain wall to use as a background or to bounce flash off . As a basic minimum , you will need to buy white background paper and a small stand , and two lamps . A diffused flood light and a concentrated spotlight will give you a choice of lighting effects for different portraits . And one or two reflectors will increase the flexibility and versatility of your set - ups . Your room must have drapes or shutters so that you can shut out daylight during tungsten shots to prevent the problems associated with changing color temperature .
A professional portrait studio should be a minimum of 20 ft ( 6 m ) long , so that you can take full - length portraits with a fairly long lens , and reasonably wide , to allow plenty of space for the lamps and screens . A studio 25 × 25 ft ( 8x8 m ) is ideal . It should have at least two plain walls - white if possible to use as backgrounds and for bouncing flash . The ceiling must be white so that you can bounce light off it , without it producing a cast on your color shots . It should also be at least twice the height of your model to allow you to use the lighting fully . Both walls and ceiling should be mat - glossy surfaces create unnecessary reflections or " hot spots " .
A stand with two or three rolls of background paper ready for use - white , black and a few colors - should be positioned on one wall facing the longer side of the room . A large collection of colors is unnecessary since you can use a colored gelatin in front of a lamp or flash head to change white background paper to the color you need . Although you can usually use a plain white wall quite adequately as a background for por traiture , a roll of background paper suspended from a stand has the important advantage that you can roll it right down to cover the floor as well as the wall . Modern telescopic poles are probably the best choice for a stand they are quite sturdy , you can dismantle them easily if necessary , and they fit any size of room . A professional studio should also contain at least one , but preferably two , folding reflector screens . One side should be
white and the other black - the black side is useful for blocking out unwanted reflections . A smaller white reflector on a lightweight stand can be very useful on occasions . Blocks of wood of various sizes will act both as supports and counterweights . Install plenty of sockets so that you can plug in several lamps in different parts of the room . A good extension lead and a multiple socket will also be useful . A professional studio should have a changing room with a table , mirror and lighting for the model or sitter to prepare for the session . And a small stock of make - up and accessories is also a good idea . The administrative area should have wall - mounted cup boards to store equipment and props , and an area for coping with paper e work . It is advisable to install some t shelving space for your cameras and t accessories , a compartmentalized tool O chest for smaller items , and a small refrigerator for color films .
Basic studio set - up
The minimum equipment that you will need for indoor studio - type portraiture consists of a tungsten spotlight and a tungsten floodlight , two rolls of background paper - one black and one white - plus a stand and a reflector screen .
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