تويت
التصوير الفوتوغرافي الحديث
صنع صور متحركة للتلفزيون
مقابلة تلفزيونية مصورة
THE FILMED TV INTERVIEW
Filming a show in the studio . When filming a television interview , the opening scenes usually are medium or long . shots showing both the inter www viewer and the person being . person interviewed . Then the cameramen concentrate on com M capturing a variety of close up and medium close - up shots showing the facial ex- pressions , emotional reactions and hand gestures of the person being interviewed . They also try to film the batuan personal interaction between the two people involved . Usually this type of show ends with a close - up of the interviewer making a recap of the subject discussed .
Photos by Mayo Partee Courtesy of WMAQ - NBC - TV
For newscasts , the interview must be filmed rather than broadcast live . A 16mm camera is used since it is much lighter , more convenient and gives the cameraman much greater freedom of movement . The number of people sent out on a filmed interview may vary to some extent depending upon the importance of the subject , the footage to be shot , whether or not sound is to be included , and other factors of that kind . In the larger cities where the film industry is completely unionized , a minimum crew generally consists of four people - the reporter , the cameraman , his assistant and the sound man .
The reporter acts as director . He decides how the interview is to be conducted , where and how the subject is to be posed and he asks all the questions . The cameraman is responsible for getting everything on film so that the finished product tells the story the reporter has in mind . In addition to deciding on the usual photographic techniques , such as camera angle , choice of lenses , etc. , he also controls the lighting arrangement . He is expected to work closely with the reporter and offer any suggestions and advice that may seem necessary to him to get the best possible picture . In matters photographic , the reporter generally goes along with these suggestions .
The assistant cameraman never touches a camera except to load and unload it , to carry it around before and after the shooting starts , and in general make himself useful . He handles the lights , but he places them where the cameraman directs . Usually , the lights are portable and the assistant cameraman merely holds them in the correct position and aims them as needed to follow the action . There are two reasons for this method of lighting . During the shooting , the assistant cameraman doesn't have anything else of importance to do , and it saves a lot of time setting up lights on stands , not to mention the fact that it makes it unnecessary to carry the lighting stands .
In filmed interviews , the simplest possible lighting is always used . More often than not , a single light source is used and it is held so as to produce the conventional 45 ° lighting , although the actual angle is generally somewhat less than 45 ° . A portable reflector is sometimes used to fill in the shadows or the subject is placed so that the light from a window provides the necessary fill - in .
The lights themselves generally consist of a couple of No. 2 photofloods in reflectors or their equivalent in reflectorfloods . Portable tungsten - halogen lights are also used a great deal . They are available in either 3200 ° K. or 3450 ° K. , so that they can be used with either Type A or Type B color film .
The sound technician is , of course , responsible for the quality of sound . He sets up the microphone to give good sound pick - up , but he cooperates with the photographer to see that the microphone does not get into the camera's field of view . He also operates the controls of the sound recorder and , in general takes care of everything and anything that is related to the sound part of the filming .
Although the cameraman works under the direction of the reporter , he has considerable leeway in matters of detail in the filming and lighting of the subject . Getting a good picture on film is his responsibility , and he must not let either the reporter or the sound man maneuver him into a situation which will prevent him from getting a good film . Insofar as it is possible for him to so , he should vary his shots , change camera angle from time to time , use lenses of erent focal length , zoom in and out , and employ all the devices the cameraman has at his control to make the picture an interesting one . A filmed interview , however , is not a complete story so that too much movement of the camera is out of place . Where to draw the line is a matter of good judgment and depends upon the length of the interview and the kind of interview it is .
The above method of filming interviews for TV is the one generally practiced in the larger cities where the broadcasting stations are adequately staffed and follow the rules rather carefully . In a smaller community , the procedure may be simplified considerably . The cameraman , for example , can also serve as a reporter or the assistant cameraman may be dispensed with . In the simplest of interviews the single sound system may be used and the photographer may take care of the sound while he is shooting . Local conditions govern the exact procedure to be used in any particular case .
صنع صور متحركة للتلفزيون
مقابلة تلفزيونية مصورة
THE FILMED TV INTERVIEW
Filming a show in the studio . When filming a television interview , the opening scenes usually are medium or long . shots showing both the inter www viewer and the person being . person interviewed . Then the cameramen concentrate on com M capturing a variety of close up and medium close - up shots showing the facial ex- pressions , emotional reactions and hand gestures of the person being interviewed . They also try to film the batuan personal interaction between the two people involved . Usually this type of show ends with a close - up of the interviewer making a recap of the subject discussed .
Photos by Mayo Partee Courtesy of WMAQ - NBC - TV
For newscasts , the interview must be filmed rather than broadcast live . A 16mm camera is used since it is much lighter , more convenient and gives the cameraman much greater freedom of movement . The number of people sent out on a filmed interview may vary to some extent depending upon the importance of the subject , the footage to be shot , whether or not sound is to be included , and other factors of that kind . In the larger cities where the film industry is completely unionized , a minimum crew generally consists of four people - the reporter , the cameraman , his assistant and the sound man .
The reporter acts as director . He decides how the interview is to be conducted , where and how the subject is to be posed and he asks all the questions . The cameraman is responsible for getting everything on film so that the finished product tells the story the reporter has in mind . In addition to deciding on the usual photographic techniques , such as camera angle , choice of lenses , etc. , he also controls the lighting arrangement . He is expected to work closely with the reporter and offer any suggestions and advice that may seem necessary to him to get the best possible picture . In matters photographic , the reporter generally goes along with these suggestions .
The assistant cameraman never touches a camera except to load and unload it , to carry it around before and after the shooting starts , and in general make himself useful . He handles the lights , but he places them where the cameraman directs . Usually , the lights are portable and the assistant cameraman merely holds them in the correct position and aims them as needed to follow the action . There are two reasons for this method of lighting . During the shooting , the assistant cameraman doesn't have anything else of importance to do , and it saves a lot of time setting up lights on stands , not to mention the fact that it makes it unnecessary to carry the lighting stands .
In filmed interviews , the simplest possible lighting is always used . More often than not , a single light source is used and it is held so as to produce the conventional 45 ° lighting , although the actual angle is generally somewhat less than 45 ° . A portable reflector is sometimes used to fill in the shadows or the subject is placed so that the light from a window provides the necessary fill - in .
The lights themselves generally consist of a couple of No. 2 photofloods in reflectors or their equivalent in reflectorfloods . Portable tungsten - halogen lights are also used a great deal . They are available in either 3200 ° K. or 3450 ° K. , so that they can be used with either Type A or Type B color film .
The sound technician is , of course , responsible for the quality of sound . He sets up the microphone to give good sound pick - up , but he cooperates with the photographer to see that the microphone does not get into the camera's field of view . He also operates the controls of the sound recorder and , in general takes care of everything and anything that is related to the sound part of the filming .
Although the cameraman works under the direction of the reporter , he has considerable leeway in matters of detail in the filming and lighting of the subject . Getting a good picture on film is his responsibility , and he must not let either the reporter or the sound man maneuver him into a situation which will prevent him from getting a good film . Insofar as it is possible for him to so , he should vary his shots , change camera angle from time to time , use lenses of erent focal length , zoom in and out , and employ all the devices the cameraman has at his control to make the picture an interesting one . A filmed interview , however , is not a complete story so that too much movement of the camera is out of place . Where to draw the line is a matter of good judgment and depends upon the length of the interview and the kind of interview it is .
The above method of filming interviews for TV is the one generally practiced in the larger cities where the broadcasting stations are adequately staffed and follow the rules rather carefully . In a smaller community , the procedure may be simplified considerably . The cameraman , for example , can also serve as a reporter or the assistant cameraman may be dispensed with . In the simplest of interviews the single sound system may be used and the photographer may take care of the sound while he is shooting . Local conditions govern the exact procedure to be used in any particular case .
تعليق